PODCAST

One of the greatest assets of the CU Boulder film program is its International Film Series, curated by Pablo Kjolseth. The schedule is an eclectic mixture of new stuff, narrative, documentary, experimental, foreign, domestic, plus some extraordinarily good, old-time drama – projected on the big screen, in 35mm. This year among other classics they’re screening Joseph Losey’s masterpiece, MR KLEIN, and Films Noir including NIGHTMARE ALLEY and OUT OF THE PAST. If you would like to see/download the schedule, it is here.

But wait! For this is just a preamble to the news that Pablo and I are doing a podcast, which can be found on the IFS website.

I am sure that there are many more interesting and informative podcasts than this, nonetheless here is ours, recorded and edited by a master of martial arts and dubbing, Jason Phelps. Among other things we discuss Harry Dean Stanton’s grave, embarrassing experiences at film festivals, Moviedrome, nuclear war themes in popular music, and Henry Fonda’s love child.

HDS_and_Visitor Harry Dean Stanton’s grave, Lexington, Kentucky

 

ITALIAN WESTERN DIRECTORS

I didn’t have the pleasure of meeting Sergio Leone or Sergio Corbucci (Del Zamora has a very funny and desperate story about being Leone’s minder at a Latino CInema event in Los Angeles, but he must be the one to tell it). When I first went to Italy – to attend the Torino festival – the Sergios were alive and I got their numbers and called both their homes. Luckily for them they were out. Less fortunate was Carlo Lizzani, who was directing a play in Rome and agreed to meet me at the theatre.

Cox and Lizzani, 1984

What a generous man he was, to put up with a young jarhead fan who wanted to talk about his great film REQUIESCANT. Since then I have revisited his earlier Western THE HILLS RUN RED, which I’d unfairly dismissed as “in the American style”. It’s really in Lizzani’s style with lashings of politics and action and great compositions – both are really worth seeing. As I recall, we licensed REQUIESCANT for Moviedrome, together with Corbucci’s IL GRANDE SILENZIO and DJANGO, and the most insane Western of them all, SE SEI VIVO SPARA / DJANGO KILL. Some twenty years later I went to Venice to screen SEARCHERS 2.0 and participate in a celebration of the Italian Western. I met various maestri there, including Giulio Petroni and Enzo Castellari, and Lizzani again, and the wonderful Giulio Questi, director of SE SEI VIVO SPARA. Here are Questi and I, flanked by Roberto Silvestri, Manifesto journalist, and Marco Guisti, author of the Italian Western Bible.

Questi_Bunch

That’s it! I just wanted to share those pictures. Lizzani died two years ago, aged 91. Questi died last year, aged 90. IMDB lists Lizzani as having seventy directorial credits (including documentaries and TV). Questi has 17 credits, mostly TV dramas. His three feature films, DJANGO KILL, DEATH LAID AND EGG, and ARCANA, are all remarkable.