Within the same twelve month period (1965-66) Harry Harrison finished three science fiction novels. MAKE ROOM! MAKE ROOM! was his serious take on overpopulation, the only one of his books (so far) to have been filmed. BILL, THE GALACTIC HERO was something he’d been working on for several years — probably since he read STARSHIP TROOPERS and was so pissed off by it. And there was a third book, too: a short novel called THE PLAGUE FROM SPACE. A few years after PLAGUE was published, Michael Crighton published his own novel about a plague from space, which got made into a tedious major motion picture. This annoyed Harry since he felt that Crighton borrowed much of his plot and all of his research (it’s one of his books, like WEST OF EDEN, which came from a process of research and collaboration with gen-u-ine scientists — the way science fiction used to be). So Harry re-worked the book and republished it as THE JUPITER PLAGUE.
Last week, the used bookstores of Oregon yielded up two of Harry’s works – another copy of BILL (can’t have too many of them!) and THE JUPITER PLAGUE, which I had never read before. I haven’t yet found a copy of THE PLAGUE FROM SPACE so can’t comment on how different the two books are. What impresses me is the sheer hard work of which H.H. was capable: three novels in a year, at least one of them a masterpiece.
Yet it’s a puzzling book, as well — hard to believe it’s from the pen of the man who wrote BILL, since it’s heroes are hard-charging medics and army generals (in other words, the people who cause all the problems and stupidity in Harry’s anti-war tract). Thinking about it, all three books — written the same year — seem to contradict each other: BILL is entirely cynical and shows no respect for any authority, of any kind; the hero of MAKE ROOM! is an honest, if ineffectual, police detective; the protagonists of PLAGUE are all authority figures: doctors, cops, the military. All are good, entertaining reads. PLAGUE is the weakest of the three, though it comes back to life splendidly in its final pages when the presence of an incomprehensible alien being aboard the plague ship, managing the viral attacks, is revealed.
But what did Harry think? Are MAKE ROOM! and PLAGUE just “work novels” while BILL reveals the author’s true feelings? Or were there no true feelings — just books? Like most of his contemporaries, Harry wrote fast, aiming for first publication in science fiction magazines, and wrote for a living: that was how he and the family survived. And the market in the mid-sixties was still for “hard”, science-based science fiction (the fashion for imps and elves and dragons and Star Trek/Wars which has devastated the modern medium had not yet occurred) so books like MAKE ROOM! and PLAGUE were more likely to find a publisher. Remember that BILL was rejected by Harry’s regular publisher and it was only the enthusiasm of his dear wife Joan, who found it hilarious, that kept him working on it.
BILL is also unusual in that there is no hard science in it. The Bloater Drive, the dehydrator ray, the robot humans with lizards instead of brains, all is entertaining and full of meaning, but not the kind of meaning a DUNE fan would understand. I love Harry’s writing, but feel that in some books – like the EDEN trilogy and PLAGUE – he was shackled by his science fiction writer’s respect for hard science. He was an intelligent man and he wanted the science to be right – but often that stuff just gets in the way of the story, slowing the narrative pace as the author gets into the nitty-gritty of viruses or reptilian warm-bloodedness. Whereas in BILL, his own experiences were the story. Despite the insanity of it all, nothing was made up or needed to be “researched”. Everything that happens in BILL had happened, one way or another, to Harry Harrison. Many of those things have happened to you and me, too. There is truth in BILL of a greater depth than mere scientific accuracy or historical veracity. Which is why it will endure, I think. (Better make a good film of it, then!)
Revisiting these sixties science fiction books has led me to compile a short list of science fiction stories which may encourage us as we begin work on the film. I really compiled it for my students, but I’ll share it here, and add to it as I remember the titles which are currently eluding me… In no particular order, if you’re interested in reading some outstanding “hard” science fiction, I recommend:
Who Can Replace a Man?, by Brian Aldiss
Lot, by Ward Moore
The Only Thing We Can Learn, by C.M. Kornbluth
The Tunnel Under The World, by Frederic Pohl
Children of the Night, also by Frederic Pohl
Hell is the Absence of God, by Ted Chaing
Sound of Thunder, by Ray Bradbury
Poor Little Warrior, also by Brian Aldiss
(Oh, and here’s a plug for a written offering of my own. Please buy it at your local independent bookstore, or from the publishers!)